Painting Kaleidoscope, artist Andriy Kreminsky

• Artist: Andriy Kreminskyi
• Year of creation: 2026
• Dimensions: 90 × 113 cm
• Materials: stretched canvas, oil
• Technique: oil painting 

Original hand-painted artwork

Andriy Kreminskyi's painting — is a large-scale abstract composition built on a combination of geometric forms, rich color, and a complex linear rhythm. The artwork is painted in oils and belongs to the contemporary trend of abstract painting with notable elements of geometric and expressive styles.

The composition does not offer the viewer an unambiguous representational subject. In the center lies a complex system of intersecting forms, which, upon closer inspection, evoke associations with architectural structures, city blocks, arches, building fragments, and elements of a conditional landscape. Some outlines resemble windows, roofs, stairs, or streets, yet the artist deliberately avoids bringing these images to literal recognizability. The objective world here is transformed into a combination of lines, planes, and color spots, so the meaning of the painting remains open to individual interpretation.

The organization of space plays an important role. Dark lines pass through a significant part of the canvas, dividing it into separate sections while simultaneously connecting them. This creates a kind of visual framework. Diagonals, arcs, vertical, and broken lines constantly change the direction of the gaze, creating a sense of internal movement. The central light area becomes a natural focal point, while the darker blue sections at the edges form a spatial frame and enhance the depth of the composition.

The coloristic solution is built on an expressive contrast of warm and cold tones. Deep blue, ultramarine, and dark blue-violet shades coexist with yellow, ocher, orange, and red. White, light blue, greenish, and muted pastel fragments appear between the main color masses. The golden-yellow palette of the upper and right parts of the canvas sounds particularly active. Against the background of rich dark areas, it is perceived as a light source and makes the composition visually more voluminous.

Stylistically, the artwork lies at the intersection of geometric abstraction and expressive painting. The strict construction here does not become entirely rational: clear contours coexist with free brushstrokes, irregular shapes, and deliberate geometric distortions. Because of this, the composition does not look static. It simultaneously features the organization of an architectural structure and the spontaneity of a painterly gesture.

The imagery of the painting allows for an association with a conditional urban space, seen not literally, but through impression, movement, and color. Forms seem to layer over each other, creating their own system of perspective. The space alternately opens into depth and then turns back into a flat ornamental fragment. It is this ambiguity between representationalism and abstraction that allows one to gradually examine the artwork and find new visual connections within it.

The canvas will organically fit into a spacious living room, study, hall, modern office, gallery, or public space. It will look especially appropriate in interiors with laconic architecture and calm finishes, where the rich painting can become the main visual dominant.